Kat took a look at
three artists that use body parts, either their own or others', in order to Kat took a look at
three artists that use body parts, either their own or others', in order to
create art pieces. There are quite a few ethical questions to raise: Is it
selfish of Mark Quinn to use his own blood this way instead of donating it?
Does the message that Andrew Krasnow is trying to send outweigh the importance
of the skin samples he takes from medical supplies? Do we even "get"
this message when looking at his pieces (as opposed to Francois Robert)? Why
would someone take issue with Linda Jones' pieces? Do you find them disturbing?
Why/why not? Overall, my project focuses on these questions and the aesthetic
appeal of human flesh/blood/bones/medical supplies. Do we find these pieces
beautiful?
Logan’s
work consists of an investigation of the Alder Hey organ scandal, in which
Dutch pathologist Dick van Velzen ordered for the illegal seizure and retention
of organs from dead infants and children. This issue brings up the ethics and
morality of what to do with cadavers, and what happens when physicians place
greater value on the constituents of a human as opposed to their lives.
Emily
wrote about the manipulation of a cadaver for theatrical, entertainment, and
anatomy purposes. The experiment is called Project 12:31. Joseph Jernigan, who
was sentenced to murder due to him killing a 75 year old man during a robbery,
agreed to donate his body to scientific and medical research. His cadaver was
donated to the Visible Human Project, where they cross sectioned it into 1,871
single millimeter slices. Photographer Frank Schott then took multiple pictures
of the pieces. The purpose of this was to “facilitate anatomy visualization
applications,” giving better more 3D insights of the human anatomy, but it
raised ethical concerns to some groups, with main ones saying the medical
profession should have nothing to do with executions, and it was scrutinizing
the individual. Art director Croix Gagnon worked with him and they ran the
slices through an animation illuminating the internal images. They created a
process where they played the video of the cross sectioned body on a laptop at
night and recorded the video using night photography, manipulating laptop
animation and leveraging abnormally long exposures. The end result was “long
exposure light paintings of the cadaver” which look like ghostly figures
haunting photos. There are a
series of photographs in Project 12:31, with the cadaver appearing in different
positions and locations.
Meredith’s
work consists of an investigation and description of Body Worlds, which is an
exhibition of dead bodies with the primary goal of health education. Exhibits are deceased human, and even
animal, bodies that are medically altered to show what’s under the skin in
order to better understand human anatomy and physiology.
Evan’s basic
outline consists of a short history of the discovery of anatomy through
dissection, morality and ethicality through the years as relating to larger
religions, laws and other codes put in place by society;
why people deal with
death the way they do; when and why is it ethical and legal in our society to
dissect a dead body and the ethicality of a person’s after death wishes and the
movement of their body.
For further
reading…
Kat’s Subject: http://weburbanist.com/2010/08/23/body-art-creations-made-of-human-flesh-blood-bones/
Logan’s Subject: http://news.bbc.co.uk/2/hi/1136723.stm
Emily’s Subject: http://www.project1231.com/
and http://www.designboom.com/art/1231-the-visible-human-project-as-a-photographic-series/
Meredith’s Subject: http://www.bodyworlds.com/en.html
Enjoyed your report, Group 1, even though your subject matter (unlike your style of presentation) was a bit stiff. Our culture does not do a great job of facing death squarely, hence our general uneasiness with the topic. But medical professionals have to become comfortable with it, or at least familiar. I'm glad we spent some time today doing that. (And sorry I couldn't resist some obvious puns, like "kicking a dead horse" etc.)
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